Testimonies

"It was awesome to learn a new approach to teaching singing. I learned so much in such a short time as both artist and teacher. A truly life changing experience!"

- Dolly Stevens
Acting/Vocal Coach
The Spotlight Studio for Musical Theatre

"This method makes complete sense to me, and is what I've been looking for since I started teaching. It is exciting to me both as a teacher and a performer to see the possibilities Jeanie's method can provide."

- Jessica Baldwin
Voice Faculty, Marietta College

"Solid information that is logical, useful and current. I am thrilled with the open, collegial environment."

- Leanne Koch
Private Voice Instructor
Vancouver, British Columbia

"Jeanie LoVetri has come up with a brilliant method that works for classical singers transitioning to CCM styles. Her Solution Sequence® is a great guide and so helpful for teaching, as well as self-diagnosis."

- Julie Dean
Voice Faculty, Queens University
Charlotte, North Carolina

"Jeanie has a very well planned and thoughtful method that is practical in every sense. She and her equally able faculty are patient and eager to share that which they know."

- Tommy Watson
Associate Professor of Music, Anderson University
South Carolina

"In addition to the physiology, Jeanie gave us some wonderful pedagogical skills for our own studio. I felt empowered by Jeanie's encouragement to trust our instincts."

- Kassy Coleman
Executive Director, The Soul's Song LLC

"First time I have been able to sing high notes without resorting to falsetto."

- Wilbur Watkins LewisCo-Author of "Researching the Song" with Shirlee Emmons

"This has been an amazing week of learning, fellowship, networking and fun with like-minded professionals."

- Barbara DeMaio Caprilli
Voice Faculty, Salem College

"Jeanie's method makes sense. This isn't ‘smoke and mirrors'-these are straight forward, function-based exercises that work. The students get out of their heads and into their body, the frustration disappears, and the voice flows freely. Who could ask for anything more?"

- Matthew Edwards
Voice Faculty, SUNY

"Ms. LoVetri's profound knowledge of vocal physiology, pedagogy and psychology has led her to create a method that produces consistent results in all genres of music. Taking Jeanie's course in 2008 has profoundly changed my teaching."

- Craig Tompkins
President of Vancouver NATS
Vancouver, Canada

"No matter what kind of CCM you work with, this workshop gives you wonderful tools to increase your understanding of how to help your students. LoVetri's Method is universal and wonderful!"

- Beth Amin, professional vocalist & speech language pathologist
Sao Paulo, Brazil

"This workshop taught me so much useful, practical information while affirming the work I already do as a teacher."

-Rhonda Abouhana, vocal faculty
The School of the Performing Arts
Richmond, Virginia

"The exercises work like magic. Students are constantly excited about becoming better and healthier singers."

-Michal Cohen, professional vocalist & singing teacher
Tel-Aviv, Israel

"Jeanie's work has had a huge impact on my understanding of the contemporary voice. Her concept of register balance has been particularly helpful for my female students learning to belt, and for my male students learning to manage their upper register."

-Tracy Bourne, voice faculty
University of Ballarat
Australia

"Here finally is a teacher who has not only sung the different styles but has knowledge about voice function and dysfunction, and the most incredible ears when it comes to helping people find out about their own voice."

-Angela Wiedemer , professional singer and voice teacher
Jazz & Rock School
Freiburg, Germany

"I've been searching for tools to help mold the sound of the choral ensemble for which I am responsible. This workshop has delivered the tools in spades!"

-Milt Friesen, choral director
Crosswinds-Fresno Pacific University
California

"This is an extremely valuable course that all singers, voice teachers, choral directors and vocal coaches should take to understand that healthy singing exists in all music if done correctly."

-Michael Morgan, assistant minister of music
Episcopal Cathedral of Incarnation
Baltimore, Maryland.