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SUMMARY:Dancin’ Out
DESCRIPTION:Ohrstrom-Bryant Theatre\n\n\n\n\n\n\nOhrstrom-Bryant Theatre \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nFriday\, March 27 at 7:30PMSaturday\, March 28 at 7:30PMSunday\, March 29 at 2:30PM \n\n\n\nCelebrate an evening of bold\, original dance as Shenandoah’s Dance Ensemble brings a dynamic range of movement styles to the stage. Blending contemporary\, commercial and modern forms\, the program highlights the versatility and artistry of our dancers through works by faculty choreographers Lindsay Browning\, Tiffanie Carson\, Ben Howard and Katherine Zukeri\, alongside alumna Maggie DeFrees ’23 (B.A. in Dance\, B.F.A. in Theatre Design & Production – Scenic Design). \n\n\n\nFrom the pulsing\, high-energy world of Carson’s DRIP — where rave culture and house dance collide in a celebration of chaos and unity — to Browning’s reflective and poetic The Path Beneath Our Feet\, the performance invites audiences into a rich landscape of connection\, memory and human experience. Howard’s Elegos offers a haunting meditation on grief and resilience\, and DeFrees’ RE: Versed explores time\, perspective and the cyclical nature of growth. Bringing the program to a vibrant close\, Disco’s Revenge delivers a bold\, high-octane finale\, channeling the infectious energy and spirit of the dance floor into a thrilling contemporary work that leaves audiences energized and exhilarated. \n\n\n\nTogether\, these works create a compelling journey — visceral\, thoughtful and deeply expressive — showcasing the power of dance to move\, challenge and inspire. \n\n\n\nSuggested Show Rating: PG-13 \n\n\n\nThis production contains theatrical haze and strobe light effects. \n\n\n\n\nDigital Program\n\n\n\nShenandoah Conservatory uses digital programs for all performances. In addition to their engaging and accessible design\, digital programs are cost effective\, environmentally friendly and enable us to create and update our programs more efficiently\, which means we can focus our resources on the performances you love! View our digital programs by clicking the button above\, scanning the QR code in our venue or texting PROGRAM to (540) 307-2336 at the performance. [Note: Digital programs are best viewed on your mobile or tablet device.] \n\n\n\n\nView Digital Program\n\n\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\nPre-concert Talk\n\n\n\nSaturday\, March 28 at 6:30PM | Ruebush Hall\, Room 128 \n\n\n\nJoin us before the show on Saturday for a pre-concert talk with the choreographers. \n\n\n\n\n\nAccessibility\n\n\n\nInfrared hearing system headsets are available in Ohrstrom-Bryant Theatre only. Accommodations for disabilities may be arranged by contacting the Box Office at least three days prior to the performance.
URL:https://www.su.edu/performs/event/26-03-dancin-out/
LOCATION:Ohrstrom-Bryant Theatre\, 620 Millwood Avenue\, Winchester\, VA\, 22601
CATEGORIES:Dance,Upcoming
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DTSTART;TZID=America/New_York:20260226T000000
DTEND;TZID=America/New_York:20260301T235959
DTSTAMP:20260421T133047
CREATED:20250722T140107Z
LAST-MODIFIED:20260227T144320Z
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SUMMARY:Catch Me If You Can
DESCRIPTION:Ohrstrom-Bryant Theatre\n\n\n\n\n\n\nOhrstrom-Bryant Theatre \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nThursday\, February 26 at 7:30PMFriday\, February 27 at 7:30PMSaturday\, February 28 at 2:30PMSaturday\, February 28 at 7:30PMSunday\, March 1 at 2:30PM \n\n\n\nBook by Terrence McNallyMusic by Marc ShaimanLyrics by Marc Shaiman and Scott WittmanBased on the DreamWorks Motion Picture \n\n\n\nDirected and choreographed by Angie SchworerMusic direction by Patrick Brady \n\n\n\nBased on the hit film and the incredible true story\, Catch Me If You Can is a high-flying musical comedy about chasing your dreams — and not getting caught. Nominated for four Tony Awards\, including Best Musical\, this delightfully entertaining show is written by Terrence McNally (The Full Monty\, Ragtime) and features a swinging score by Marc Shaiman and Scott Wittman (Hairspray). Guest artist Angie Schworer — who appeared in the original Broadway production — returns to the show as director and choreographer. \n\n\n\nSeeking fame and fortune\, precocious teenager Frank Abagnale Jr. runs away from home and launches into an unforgettable adventure. Armed with nothing but his boyish charm\, a vivid imagination and millions of dollars in forged checks\, Frank successfully poses as a pilot\, a doctor and a lawyer — living the high life and winning the girl of his dreams. But when Frank’s lies catch the attention of FBI agent Carl Hanratty\, the relentless investigator pursues him across the country to make him pay for his crimes. \n\n\n\nCatch Me If You Can is a big and bright spectacle with high-energy dance numbers and a riveting story. \n\n\n\nSuggested Show Rating: PG \n\n\n\nThis production contains themes and/or depictions of drugs/alcohol/substance abuse and firearms\, including a simulated gunshot effect. It also contains theatrical haze\, flashing lighting and a strobe light effect. Please be aware that our actors make full use of the space\, including the aisles and other audience spaces. \n\n\n\n\n\n\n\n\n\n\nThis performance is sponsored by Crescent Cities Charities\, providing educational assistance to promising students with financial need\, and supporting charities and community organizations. Learn more at cccharities.org. \n\n\n\n\n\n\n\n\n\nThis performance is sponsored by Warfel Construction. Visit www.warfelcc.com to learn more. \n\n\n\n\n\n\n\nMeet the Guest Director & Choreographer\n\n\n\n\n\n\n\nAngie Schworer is a celebrated Broadway actor whose vibrant stage presence and comedic talent have made her a standout in both musicals and plays. Her extensive Broadway credits include Some Like It Hot (Minnie)\, The Prom (Angie)\, Something Rotten!\, The Producers (Ulla)\, Big Fish\, Catch Me If You Can\, Young Frankenstein\, Annie Get Your Gun\, Chicago\, Sunset Boulevard\, Crazy for You and The Will Rogers Follies. \n\n\n\nAt the Metropolitan Opera\, she appeared as Jou Jou in The Merry Widow. Her regional work spans a wide range of beloved productions\, including Beautiful (Genie Klein)\, Crazy for You (Irene)\, 42nd Street (Dorothy Brock)\, The Cher Show (Georgia/Lucille Ball)\, Mamma Mia! (Tanya)\, Disaster! (Jackie)\, Always a Bridesmaid (Monette)\, Chicago (Roxie)\, Sweet Charity (Nikki)\, Damn Yankees (Lola)\, The Full Monty (Vicki)\, Minsky’s (Ginger) and The Will Rogers Follies (Z’s Favorite). \n\n\n\nSchworer’s television appearances include Palm Royale\, Smash\, Law & Order: Criminal Intent\, The Rosie O’Donnell Show\, The Dana Carvey Show\, Queer Eye\, As the World Turns\, and the Kennedy Center Honors. She was also in the 2005 film The Producers. \n\n\n\n\n\n\nDigital Program\n\n\n\nShenandoah Conservatory uses digital programs for all performances. In addition to their engaging and accessible design\, digital programs are cost effective\, environmentally friendly and enable us to create and update our programs more efficiently\, which means we can focus our resources on the performances you love! View our digital programs by clicking the button above\, scanning the QR code in our venue or texting PROGRAM to (540) 307-2336 at the performance. [Note: Digital programs are best viewed on your mobile or tablet device.] \n\n\n\n\nView Digital Program\n\n\n\n\n\n\nAccessibility\n\n\n\nInfrared hearing system headsets are available in Ohrstrom-Bryant Theatre only. Accommodations for disabilities may be arranged by contacting the Box Office at least three days prior to the performance.
URL:https://www.su.edu/performs/event/26-02-catch-me-if-you-can/
LOCATION:Ohrstrom-Bryant Theatre\, 620 Millwood Avenue\, Winchester\, VA\, 22601
CATEGORIES:Theatre,Upcoming
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DTSTART;TZID=America/New_York:20260206T000000
DTEND;TZID=America/New_York:20260208T235959
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SUMMARY:Reflections: Invited Choreographers Showcase
DESCRIPTION:Ohrstrom-Bryant Theatre\n\n\n\n\n\n\nOhrstrom-Bryant Theatre \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nFriday\, February 6 at 7:30PMSaturday\, February 7 at 7:30PMSunday\, February 8 at 2:30PM \n\n\n\nThree renowned invited choreographers join the Dance Ensemble to present a captivating program of movement that transcends time and stirs the soul. This year’s performance bridges tradition and innovation with the visionary artistry of Dana Tai Soon Burgess\, Brandi Coleman and Doug Varone. \n\n\n\n\nDana Tai Soon Burgess\, known internationally as the “Diplomat of Dance\,” is the founder of the Dana Tai Soon Burgess Dance Company and a celebrated American choreographer whose works explore the breadth of human experience with depth and emotional resonance.\n\n\n\nBrandi Coleman is an Emmy-Award winning artist and former associate artistic director of Jump Rhythm® Jazz Project whose choreography emphasizes the rhythmic synergy of body and music.\n\n\n\nAs the artistic force behind Doug Varone and Dancers\, Doug Varone is an award-winning choreographer and director whose work spans dance\, theater\, opera and more.\n\n\n\n\nThe program features a setting of Hyphen\, a critically acclaimed work by Burgess that explores identity and includes projections by iconic video artist Nam June Paik. Also featured is MASS by Varone\, a powerful and dynamic work set on Shenandoah dance students by Brad Beakes\, rehearsal director for Doug Varone and Dancers. Rounding out the program is Hear My Cry by Coleman\, a compelling restaging of her 2022 work Critical Mass that features embodied rhythm and vocalization\, and invites audiences to feel joyful\, empowered and deeply connected to the pulse that moves us all. \n\n\n\nThe concert also includes an encore presentation of Downstream by acclaimed choreographer Maleek Washington\, presented in November 2025 as part of the senior showcase. Created in collaboration with the dancers\, the work celebrates the power of community and embodies both ritual and the search for connection to something greater than ourselves. \n\n\n\nSuggested Show Rating: PG \n\n\n\nThis production contains theatrical haze. \n\n\n\nThis performance is made possible by the Lewis Endowed Fund for Visiting Dance Artists. \n\n\n\n\n\nMeet the Guest Choreographers\n\n\n\n\n\n\n\n\nDana Tai Soon Burgess\n\n\n\nDana Tai Soon Burgess is a leading American choreographer and cultural figure known worldwide as the “Diplomat of Dance.” In 1992\, he founded the Dana Tai Soon Burgess Dance Company (DTSBDC)\, Washington\, D.C.’s preeminent modern dance company now in its 32nd season. The Washington Post Pulitzer Prize-winning critic Sarah Kaufman says of Burgess\, “Not only a Washington prize\, but a national dance treasure.” \n\n\n\nBurgess creates contemporary modern dance works that explore the joy\, sorrow and beauty of the human experience. He has served as a Cultural Ambassador for the U.S. State Department for over two decades. Burgess has been awarded three Fulbright Senior scholarships for dance and the Selma Jeanne Cohen Dance Lecture Award. \n\n\n\nIn 2016\, Burgess was named the Smithsonian Institution’s first-ever Choreographer-in-Residence. From 2016 to 2023\, he created new works inspired by museum exhibitions\, participated in public discussions about dance and art and designed educational programming. The exploration of dance and art is deeply rooted for Burgess. The son of two visual artists he has always approached the stage as a canvas\, and the dancers as brush strokes. Burgess was one of only three artists featured in the Smithsonian Institution’s “A Korean American Century” (2013)\, an exhibition highlighting the history and achievements of Korean Americans in the United States. He was also highlighted in “Dancing the Dream\,” (2013 to 2014) the Smithsonian’s first exhibition on American dance. Three portraits of Burgess are part of the permanent collection of the Smithsonian. He has created works for The National Gallery of Art\, The Noguchi Museum\, The National Museum of Asian Art\, The National Portrait Gallery and The UNM Art Museum\, to name a few. \n\n\n\nHe has served as a Mayoral appointed commissioner for the D.C. Commission on Asian and Pacific Islander Americans and the D.C. Commission on the Arts and Humanities. Burgess is the author of Chino and the Dance of the Butterfly: A Memoir by University of New Mexico Press and the editor of and contributor to the dance history textbook Milestones in Dance History by Routledge/Francis & Taylor. He is the host of Slantpodcast.com which focuses on the Asian American arts experience. \n\n\n\n\n\n\n\n\n\nBrandi Coleman\n\n\n\nBrandi Coleman is an assistant professor in the Division of Dance at Southern Methodist University where she teaches Jump Rhythm® Technique\, a jazz-rhythm-based movement approach that transforms the moving body into a rhythm-driven percussion instrument. She was a performing member\, rehearsal director and associate artistic director of Jump Rhythm Jazz Project (JRJP)\, a Chicago-based dance company founded by Billy Siegenfeld. She received an Emmy Award in the category of Outstanding Excellence On Camera/Performer for her work in the Emmy Award-winning documentary\, Jump Rhythm Jazz Project: Getting There\, and has toured nationally and internationally with JRJP to Finland\, Italy and Canada. As a teaching and creative artist\, she has led more than forty choreographic and teaching residencies at universities nationwide and internationally. Her pedagogy and creative work honor the foundational and fundamental relationship between jazz music and jazz dance. Her choreography has been presented at venues across the United States and internationally at the Aratani Theatre (Los Angeles)\, Newport Jazz Festival (Newport)\, Decidedly Jazz Danceworks (Canada)\, Southern Theater (Minneapolis)\, Links Hall (Chicago)\, New Orleans Center for Creative Arts\, River Center Theatre for the Performing Arts (Baton Rouge)\, the Winspear Opera House\, Moody Performance Hall and the Eisemann Center for Performing Arts (Dallas)\, SUNY Brockport\, James Madison University\, Salve Regina University\, Northwestern University\, Stephens College\, Carthage College\, University of Dubuque\, University of Wisconsin-Milwaukee and Southern Methodist University. \n\n\n\nHer writing\, “Performing Gender: Disrupting Performance Norms for Women in Jazz Dance Through Gender-Inclusive\, Human-Centric Choreography\,” is included in the book Rooted Jazz Dance: Africanist Aesthetics and Equity in the Twenty-First Century (University Press of Florida\, 2022). She earned a Master of Fine Arts in Performing Arts: Choreography from the University of Wisconsin-Milwaukee. \n\n\n\n\n\n\n\n\n\nDoug Varone\n\n\n\nAward-winning choreographer and director Doug Varone works in dance\, theater\, opera\, film and fashion. He is a passionate educator and articulate advocate for dance. By any measure\, his work is extraordinary for its emotional range\, kinetic breadth and the many arenas in which he works. His New York City-based Doug Varone and Dancers has been commissioned and presented to critical acclaim by leading international venues for over three decades. Since its founding in 1986\, Doug Varone and Dancers has commanded attention for its expansive vision\, versatility\, and technical prowess. On tour\, the company has performed in more than 125 cities in forty-five states across the United States and in Europe\, Asia\, Canada and South America. Stages include the John F. Kennedy Center for the Performing Arts\, Lincoln Center\, Brooklyn Academy of Music (BAM)\, London’s Queen Elizabeth Hall\, Moscow’s Stanislavsky Theater\, Buenos Aires’ Teatro San Martin\, the Venice Biennale\, and at Jacob’s Pillow\, American Dance Festival and Bates Dance Festival. Varone\, his dancers\, and designers have been honored with eleven New York Dance and Performance (“Bessie”) Awards. \n\n\n\nIn the concert dance world\, Varone has created a body of works globally. Commissions include the Paul Taylor’s American Modern Dance Company\, The Limón Company\, Hubbard Street Dance Chicago\, Rambert Dance Company (London)\, Martha Graham Dance Company\, Dancemakers (Canada)\, Batsheva Dance Company (Israel)\, Bern Ballet (Switzerland) and An Creative (Japan)\, among others. In addition\, his dances have been staged on more than 100 college and university programs around the country. \n\n\n\nIn opera\, Doug Varone is in demand as both a director and choreographer. Among his four productions at the Metropolitan Opera are Salome with its Dance of the Seven Veils\, the world premiere of Tobias Picker’s An American Tragedy\, Stravinsky’s Le Sacre du Printemps\, designed by David Hockney\, and Hector Berlioz’s Les Troyens. He has staged multiple premieres and new productions for Minnesota Opera\, Opera Colorado\, Washington Opera\, New York City Opera and Boston Lyric Opera\, among others. His numerous theatre credits include choreography for Broadway\, off-Broadway and regional theaters across the country. His choreography for the musical Murder Ballad at Manhattan Theater Club earned him a Lortel Award nomination. Recent projects include directing and choreographing MASTERVOICES production of Dido and Aeneas at New York’s City Center\, starring Tony Award winners Kelli O’Hara and Victoria Clark\, and staging Julia Wolfe’s Pulitzer Prize-winning oratorio\, Anthracite Fields for the Westminster Choir and the Bang on a Can All-Stars. \n\n\n\nVarone received his Bachelor of Fine Arts from Purchase College where he was awarded the President’s Distinguished Alumni Award in 2007. Numerous honors and awards include a John Simon Guggenheim Fellowship\, an Obie Award (Lincoln Center’s Orpheus and Euridice)\, the Jerome Robbins Fellowship at the Bogliasco Institute in Italy\, two individual Bessie Awards\, a Doris Duke Artist Award and the Lifetime Achievement Award from the American Dance Guild. \n\n\n\n\n\n\nDigital Program\n\n\n\nShenandoah Conservatory uses digital programs for all performances. In addition to their engaging and accessible design\, digital programs are cost effective\, environmentally friendly and enable us to create and update our programs more efficiently\, which means we can focus our resources on the performances you love! View our digital programs by clicking the button above\, scanning the QR code in our venue or texting PROGRAM to (540) 307-2336 at the performance. [Note: Digital programs are best viewed on your mobile or tablet device.] \n\n\n\n\nView Digital Program\n\n\n\n\n\n\nAccessibility\n\n\n\nAccommodations for disabilities may be arranged by contacting the Box Office at least three days prior to the performance.
URL:https://www.su.edu/performs/event/26-02-reflections-invited-choreographers-showcase/
LOCATION:Ohrstrom-Bryant Theatre\, 620 Millwood Avenue\, Winchester\, VA\, 22601
CATEGORIES:Dance,Upcoming
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DTSTART;TZID=America/New_York:20260130T190000
DTEND;TZID=America/New_York:20260130T190000
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LAST-MODIFIED:20251219T172716Z
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SUMMARY:Collage Concert
DESCRIPTION:Ohrstrom-Bryant Theatre\n\n\n\n\n\n\nOhrstrom-Bryant Theatre \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPresented as part of Shenandoah Conservatory’s annual Mid-Atlantic Honor Band\, the Collage Concert shines a spotlight on the music of acclaimed guest composer Viet Cuong. The program features an exciting array of faculty and student performances spanning diverse musical genres\, all coming together in celebration of Cuong’s innovative voice and the vibrant creativity of the Shenandoah community. \n\n\n\n\nDigital Program\n\n\n\nShenandoah Conservatory uses digital programs for all performances. In addition to their engaging and accessible design\, digital programs are cost effective\, environmentally friendly and enable us to create and update our programs more efficiently\, which means we can focus our resources on the performances you love! View our digital programs by clicking the button above\, scanning the QR code in our venue or texting PROGRAM to (540) 307-2336 at the performance. [Note: Digital programs are best viewed on your mobile or tablet device.] \n\n\n\n\nView Digital Program
URL:https://www.su.edu/performs/event/26-01-collage-concert/
LOCATION:Ohrstrom-Bryant Theatre\, 620 Millwood Avenue\, Winchester\, VA\, 22601
CATEGORIES:Music,Upcoming
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DTSTART;TZID=America/New_York:20250903T193000
DTEND;TZID=America/New_York:20250903T193000
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LAST-MODIFIED:20260421T170909Z
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SUMMARY:Mandy Gonzalez in Concert
DESCRIPTION:Ohrstrom-Bryant Theatre\n\n\n\n\n\n\nOhrstrom-Bryant Theatre \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCelebrate a landmark moment in the conservatory’s history — and in the history of Broadway — with Mandy Gonzalez\, the unforgettable voice behind some of the most groundbreaking musicals of our time. In this intimate concert\, Gonzalez and her quartet bring her powerhouse vocals and commanding stage presence to a program that bridges the past\, present and future of musical theatre. \n\n\n\nGonzalez revisits her electrifying performance as Angelica Schuyler\, performing songs that helped redefine the American musical\, marking the tenth anniversary of Hamilton’s Broadway debut. The evening also features show-stopping numbers from Wicked where she soared as Elphaba and In the Heights\, the Tony Award-winning musical that launched a new era of storytelling on Broadway and made Gonzalez a star. \n\n\n\nWith stories from behind the scenes plus Broadway and pop songs that shaped a generation\, Mandy Gonzalez in Concert is more than a performance — it is a celebration of how musicals evolve\, endure and inspire. \n\n\n\nOne night. One voice. The unforgettable music that changed everything. \n\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\n\n\n\n…one of the greatest singers on earth.”– Lin-Manuel Miranda \n\n\n\n\n\n\n\nDigital Program\n\n\n\nShenandoah Conservatory uses digital programs for all performances. In addition to their engaging and accessible design\, digital programs are cost effective\, environmentally friendly and enable us to create and update our programs more efficiently\, which means we can focus our resources on the performances you love! View our digital programs by clicking the button above\, scanning the QR code in our venue or texting PROGRAM to (540) 307-2336 at the performance. [Note: Digital programs are best viewed on your mobile or tablet device.] \n\n\n\n\nView Digital Program\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n			\n				\n			\n		\n\n\n\nRaise a Glass to 150 Years!\n\n\n\nWednesday\, September 3 at 6PM | Ohrstrom-Bryant Theatre Lobby \n\n\n\nJoin us as we kick off our landmark 150th anniversary season with a festive pre-concert reception featuring live music\, light hors d’oeuvres and a cash bar with wine\, beer and signature cocktails. Meet Jennifer Smolos Steele\, the new dean of the conservatory\, and mingle with the remarkable faculty and students who make the conservatory what it is. Shenandoah Conservatory’s very own Music Director and Professor of Theatre Patrick Brady will perform ragtime and Broadway tunes during the reception as well. Celebrate the start of an unforgettable season in great company — and set the stage for an extraordinary performance season. \n\n\n\n\n\n\n\n\n\nThe Performing Arts Live series is supported in part by funding from the Marion Park Lewis Foundation. \n\n\n\n\n\nSupport Performing Arts Live\n\n\n\nPerforming Arts Live (PAL) is supported in part by the L.P. “Skip” and Anne Hughes Hill Visiting Artist Endowment\, honoring the legacy of L.P. “Skip” Hill and Anne Hughes Hill. Making a donation to the Hill Visiting Artist Endowment grows support for Performing Arts Live. \n\n\n\n\nLearn More & Give Now
URL:https://www.su.edu/performs/event/25-09-mandy-gonzalez-in-concert/
LOCATION:Ohrstrom-Bryant Theatre\, 620 Millwood Avenue\, Winchester\, VA\, 22601
CATEGORIES:Guest Artist Performance,Performing Arts Live
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