Jonathan Snowden is one of Britain’s premier solo flautists and perhaps its best-kept secret. Snowden was named Principal Flute of the English National Opera North Orchestra at age 21. He was appointed Principal Flute with the Royal Philharmonic Orchestra two years later, and subsequently also held the Principal Flutist position with the London Philharmonic Orchestra and the Philharmonia Orchestra. More recently, he has been in Andrew Lloyd Webber’s West End show “Love Never Dies.” His thrilling sound and technical virtuosity are admired here and abroad. Journalist Edward Greenfield has described Snowden in The Guardian as, “one of the most brilliant flautists of his generation.”

Snowden has established himself as an international artist of highest acclaim. His engagements have included concerto tours in Europe, the United States and Japan. He has been invited by Lorin Maazel to play with the Pittsburgh Symphony Orchestra and by Seiji Ozawa to play with the Boston Symphony Orchestra. He has performed as soloist with many orchestras including The Royal Philharmonic Orchestra, London Philharmonic Orchestra (including many in the Royal Festival Hall, London), Bournemouth Symphony Orchestra under Andrew Litton, BBC National Orchestra of Wales, Malta Symphony, The London Mozart Players, The Orchestra of St. John’s Smith Square (London) and St. Louis Symphony.

He is also in much demand by composers to record their film scores. His recording list includes: "The King’s Speech," "A Very Harold and Kumar Christmas," "James Bond: Quantum Of Solace," "Narnia – Voyage of the Dawn Treader," "Shrek – Forever After," "Defiance"  "The Dark Knight," "The Argentine," "Guerrilla," "Doomsday," "Fool’s Gold," "The Great Debaters," "Bee Movie," "Stardust," "1408," "The Da Vinci Code," "Over the Hedge," "Lord of the Rings," "Sense and Sensibility," "Pride and Prejudice," "Don Juan," "Tomb Raider: The Cradle of Life," "Mr. Holland’s Opus," "Antz," "The Mummy," "Bridget Jones Diary," "The Mummy Returns," "The Four Feathers," "Gangs of New York," "Gods and Generals," "SpongeBob SquarePants" and "The Mission." Snowden has regularly broadcasted on BBC Radio 3 and has made numerous television appearances.

Jonathan Snowden has recorded with artists as diverse as Bjork, Sting, and Martine McCutcheon. He has done performance spots with Sir Cliff Richard and Elvis Costello. A well-respected pedagogue, Snowden has been published in Pan (December 2001; May 2003; June 2008), Windplayer (Spring 2003) and Flute Talk (April 1993; February 2007). Powell Flute Company, Brannen-Cooper Brothers and Muramatsu Flute Company have sponsored him as a guest artist for masterclasses throughout the world. He has held recitals and masterclasses in Japan, Sweden, Norway, Denmark, Belgium, Ireland, Great Britain (Royal Northern College, Royal Academy of Music, London College and Trinity College) and the United States.

Suzanne Fitzgerald described his teaching style in the British Flute Society’s magazine, Pan, as “dynamic and inspirational, conducting the class with energy and sheer enthusiasm. Each student was encouraged to look deeper into themselves and their music, exploring the many possibilities of dynamic range and color…Most of all, people came away feeling inspired, encouraged and fulfilled and surely that’s what music is all about.”

Snowden has appeared regularly by invitation to perform and teach as part of the National Flute Association’s (NFA) annual convention (Atlanta: 1999; Las Vegas: 2003; Pittsburgh: 2006). In support of proposals sent to the NFA, Dr. Brooks de Wetter-Smith, a J.G. Hanes Distinguished Professor at the University of North Carolina at Chapel Hill stated, “His comments were insightful, supportive…everyone seemed to hang on to every word. His playing was wonderful…He brings solid orchestral and solo experience to his teaching.” He appeared, by invitation, at the 2008 British Flute Society’s annual flute convention.

Snowden enjoys teaching and has a unique take on how performers can link emotion and communication to technique and interpretation. He has an extensive knowledge of solo repertoire, as well as the desire to improve anyone’s playing and performance abilities. The notion of taking risks and being a flexible flutist enables a more powerful conversation to exist between the soloist and supporting musicians as well as the music and the audience. He has served on the faculty of the Royal College of Music (London), the London College of Music and on the Diploma Examiner Panel for The Associated board of the Royal Schools of Music (ABRSM). He has also examined regularly for DIT Conservatory of Music (Dublin, Ireland) as well as appearing as a master teacher and guest artist at other conservatoire’s and courses (Trinity Conservatoire, Royal Academy of Music London and Oxford Summer School). Snowden conducted his own annual international summer flute course, The Jonathan Snowden International Flutes School in the U.K. for ten years and now continues to run this in the United States.

Snowden is currently Professor of Flute at Shenandoah Conservatory of Shenandoah University in Winchester, Virginia, USA and Artist In Residence at Levine School Of Music, Washington, D.C., USA.

Jonathan Snowden can be heard on Virgin, Virgin Classics, EMI, Naxos, Silva, Teledisk, Conifer, Decca, Tring, and Hyperion recording labels among others. He has now completed a recording of William Lloyd Webber’s works for flute and is working on additional CDs. He has recorded for “Songs of Praise” (UK television) and Orange mobile phone commercials in the U.K.

Learn more at www.jonathansnowden.com.

Shenandoah Conservatory is committed to fostering a safe environment for our students and faculty during the COVID-19 pandemic. We are equally committed to providing exceptional opportunities for our students aligned with preparation for 21st century careers in the arts. This commitment begins with your audition! As the arts industry has responded to our current reality by modifying rehearsal and audition practices, Shenandoah Conservatory has also adopted the most recent industry standards, while maintaining a commitment to innovation and collaboration. Visit the Ensemble & Production Auditions webpage for the most up-to-date information about auditioning for our music, theatre and dance ensembles and productions.

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